Grow Your Band's Audience
'The music business is a lousy, sleazy, slimy backstabbing business, but it doesn't have to be. And I don't run my business that way.' -One of the many club owners we interviewed for this book! As Heard On VH1's Wax Tablets Interview Show... 'Here's How You Can MAKE MUSIC YOUR DAY JOB... Without Getting Screwed by Labels, Managers, or Unscrupulous Club Owners!' Dear Friend, How much is your audience worth to your music career? Suppose you could fill the room at your next gig -- without having to hang one flyer! Imagine... it's a year from today. You're standing backstage at the gig you've ALWAYS been meant to play. The folks in the audience are exactly who you want to hear YOUR music. And, best of all, you're getting paid! Sounds too good to be true? Well, it isn't! If you have the right strategy! Think about it. Your audience is the MOST important part of your future success. It doesn't matter what label you're on, how many music industry pros love your band, how well your album's been mixed, or how much money it took to get your song on the radio. Simply put, without an AUDIENCE that's willing to come out and watch you perform, you have no future in the entertainment industry. But Growing That Audience Is The Hard Part... It could take you years and can cost you a small fortune to figure out just the right combinations that make some artists rise to the top - while others fall flat on their face. But instead of knocking yourself out, searching for the magic bullet that will fill your gigs, you can now have it inside our paperback book and online toolkit called: 'Grow Your Band's Audience' At last! Every tool you need to book your own gigs and bring home a healthy fee at the end of the night... But don't take my word for it! Here's what readers from all over the country are saying about our unique system: 'I was really impressed in particular with a tip on how to pack a venue without spending a fortune on traditional advertising. Quite ingenious. If you're trying to build a huge following through gigs, street teams, online marketing, this is the book for you.' - Marc Gunn, BardsCrier.com 'Your book was the first, and I've read most of the others, that clearly states the difference between trying to become a rock star and making a living making music.' - C.M., Huntington Station, NY 'Artists, check this out! I have just read this fabulous book and frankly, I'm knocked out! It is every independent artist's dream to widen their audience and pull in bigger numbers at their live shows. This book will tell you exactly how to do that in the most specific way!' - Chris Standring, AandROnline.com 'Your book has given me a new look at an continuing problem. Booking agents in L.A. are somewhat reminescent of the 'sleazy' backroom people one might get an image of... I feel that your book will definitely be an asset to helping me futher my career. I can use your strategy for a more assertive approach towards club owners, booking 'people' and audience members...' - R.P., Los Angeles, CA I know you're probably still skeptical and a bit on the conservative side, but think about this - if you keep doing the same things over and over again - you'll only succeed in getting the same results. That's why I want to let you try out our proven audience development system - completely and totally risk-free! (I'll tell you about my unique guarantee in a moment.) Which Of These Powerful Secrets Could You Use To Make Your Living Making Music? Three PROVEN ways to make money without a label OR a manager! The magic words that MAKE club owners book your band... Booking agents' REAL secrets for getting more shows... The reasons why getting radio airplay will HURT your career... The plan that successul artists use to go from twenty-five friends to one hundred new PAYING audience members in three gigs or less... plus, lots more! Okay, So What's The Cost For This Incredible Resource? We realize that this toolkit could easily sell for hundreds of dollars. In fact, if you hired an independent promoter to grow your audience for you, you'd be charged in the neighborhood of $5,000 to $10,000 each month, not including expenses! You don't get guaranteed results, yet you still have to PAY... just ask Tina Yothers! (My company currently charges a minimum of $1,000 a day for our custom consulting services! So at bare bones minimum, you're getting thousands and thousands of dollars worth of our best strategies at your disposal.) But I'm NOT going to charge you anywhere near that amount -- or even my minimum project price. In fact, your total investment for our paperback book and access to our online toolkit is only $34.95, plus shipping & handling. So what's the catch? Why am I practically giving this resource away? Well, it's really quite simple. I've worked with musicians for over ten years. I love music. I see shows whenever I can. But I'm also worried about the shape our business is in after years of consolidation. I've watched my favorite young bands get swallowed whole by corporations. When their records didn't sell, they ended up owing the labels money. Sometimes as much as a quarter of a million dollars! I want to see YOU walk away with that money, not a label. At the same time, I've learned a lot from a growing number of artists who have figured out how to make it on their own. You may not have seen them on the Billboard charts, but I assure you that they've earned enough to make a comfortable living -- without the hassles of the mainstream recording industry. After spending most of the last year talking with successful independent artists, managers and club owners, I wanted to make our research available at a price that just barely covers our expenses -- but one that any musician can easily afford. You Really Can't Afford Not To Invest In These Tools and Strategies! It's easy to get started right away. Just click here to order on our SECURE server. We'll validate your credit card in real-time, and you'll be able to download your own copy within minutes! Get ready for your music to start paying the bills, and stop slaving away during the day so you can make music! Sincerely, Joe Taylor Jr. Principal, Taylor Creative Management Editor, Indie Music Club.