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A bludgeoning mix of machine and Central African percussion plus other acoustic instruments combine to create one of the most physically intense musical experiences ever. Since 2007's Whitehouse album Racket, and after his original Afro Noise mix became one of the most downloaded experimental mixes ever made, William Bennett's remarkable Cut Hands album has seen four long years of meticulously obsessive studio work in the making, notably deploying his special collection of Congolese and Ghanaian percussion instruments.