Bach: Cantatas Bwv 108, 86, 11, 44 / Kuijken, Le Petite Band, Bach / Thornbill / Noskaiova / Le Petite Band, Release Date: 05/25/2010. Composer: Johann Sebastian Bach, Performer: Jan Van der Crabben, Petra Noskaiová, Sigi Thornbill, Christoph Genz, Conductor: Sigiswald Kuijken, Orchestra/Ensemble: La Petite Bande, Number of Discs: 1. Sigiswald Kuijken continues on with Volume 10 in his series of the cantatas for the complete liturgical year. As mentioned before, these are Rifkinized performances, so the largest choral mass you will hear is four people. I wish he had taken another direction as his instincts in this music are so adept, tempos well chosen, and the soloists are wonderful. The quality of the performances and Kuijken's innate musicality and intensely devotional spirit-in some ways exceeding that of Suzuki force me, almost against my will, to give an unconditional thumbs-up to these performances. But I am not sure I could make them my only performances. The surround sound is top-notch, quite in keeping with previous issues in this series, and Accent can count this as another winner.
12 Cantata No. 86, 'Wahrlich, Wahrlich, Ich Sage Euch,' BWV 86 (BC A73): Choral: Die Hoffnung Wart Der Rechten Zeit
13 Himmelfahrts-Oratorium, 'Lobet Gott in Seinen Reichen,' (Ascension Oratorio), BWV 11 (BC D9): Chorus: Lobet Gott in Seinen Reichen
14 Himmelfahrts-Oratorium, 'Lobet Gott in Seinen Reichen,' (Ascension Oratorio), BWV 11 (BC D9): Recitative (Tenor): Der Herr Jesus Hub
15 Himmelfahrts-Oratorium, 'Lobet Gott in Seinen Reichen,' (Ascension Oratorio), BWV 11 (BC D9): Recitative (Bass): Ach Jesu, Ist Dein a
16 Himmelfahrts-Oratorium, 'Lobet Gott in Seinen Reichen,' (Ascension Oratorio), BWV 11 (BC D9): Aria (Alto): Ach, Bleibe Doch, Mein Lie
17 Himmelfahrts-Oratorium, 'Lobet Gott in Seinen Reichen,' (Ascension Oratorio), BWV 11 (BC D9): Recitative (Tenor): Und Ward Aufgehaben
18 Himmelfahrts-Oratorium, 'Lobet Gott in Seinen Reichen,' (Ascension Oratorio), BWV 11 (BC D9): Choral: Nun Lieget Alles Unter Dir
19 Himmelfahrts-Oratorium, 'Lobet Gott in Seinen Reichen,' (Ascension Oratorio), BWV 11 (BC D9): Recitative (Tenor, Bass): Und Da Sie Ih
20 Himmelfahrts-Oratorium, 'Lobet Gott in Seinen Reichen,' (Ascension Oratorio), BWV 11 (BC D9): Recitative (Alto): Ah Ja, So Komme Bald
21 Himmelfahrts-Oratorium, 'Lobet Gott in Seinen Reichen,' (Ascension Oratorio), BWV 11 (BC D9): Reciative (Tenor): Sie Aber Beteten Ihn
22 Himmelfahrts-Oratorium, 'Lobet Gott in Seinen Reichen,' (Ascension Oratorio), BWV 11 (BC D9): Aria (Soprano): Jesu, Deine Gnadenblick
23 Himmelfahrts-Oratorium, 'Lobet Gott in Seinen Reichen,' (Ascension Oratorio), BWV 11 (BC D9): Choral: Wenn Soll Es Doch Geschehen
24 Cantata No. 44, 'Sie Werden Euch in Die Bann Tun,' BWV 44 (BC A78): Duet (Tenor, Bass): Sie Werden Euch in Den
25 Cantata No. 44, 'Sie Werden Euch in Die Bann Tun,' BWV 44 (BC A78): Chorus: Es Kommt Aber Die Zeit
26 Cantata No. 44, 'Sie Werden Euch in Die Bann Tun,' BWV 44 (BC A78): Aria (Alto): Christen Müssen Auf Der Erden
27 Cantata No. 44, 'Sie Werden Euch in Die Bann Tun,' BWV 44 (BC A78): Choral: Ach Gott, Wie Manches Herzeleid
28 Cantata No. 44, 'Sie Werden Euch in Die Bann Tun,' BWV 44 (BC A78): Recitative (Bass): Es Sucht Der Antichrist
29 Cantata No. 44, 'Sie Werden Euch in Die Bann Tun,' BWV 44 (BC A78): Aria (Soprano): Es Ist Und Bleibt Der Christen
30 Cantata No. 44, 'Sie Werden Euch in Die Bann Tun,' BWV 44 (BC A78): Choral: So Sei Nun, Seele
Bach: Cantatas Bwv 108, 86, 11, 44 / Kuijken, Le Petite Band, Bach / Thornbill / Noskaiova / Le Petite Band, Release Date: 05/25/2010. Composer: Johann Sebastian Bach, Performer: Jan Van der Crabben, Petra Noskaiová, Sigi Thornbill, Christoph Genz, Conductor: Sigiswald Kuijken, Orchestra/Ensemble: La Petite Bande, Number of Discs: 1. Sigiswald Kuijken continues on with Volume 10 in his series of the cantatas for the complete liturgical year. As mentioned before, these are Rifkinized performances, so the largest choral mass you will hear is four people. I wish he had taken another direction as his instincts in this music are so adept, tempos well chosen, and the soloists are wonderful. The quality of the performances and Kuijken's innate musicality and intensely devotional spirit-in some ways exceeding that of Suzuki force me, almost against my will, to give an unconditional thumbs-up to these performances. But I am not sure I could make them my only performances. The surround sound is top-notch, quite in keeping with previous issues in this series, and Accent can count this as another winner.
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