With its relentless energy and the honkin' sax of Sam Butera, Prima's music was rock 'n' roll in all but name. Plug into its power as you hear Jump, Jive an' Wail; Oh Marie; Beep! Beep!; Whistle... more

Bonnie was in the midst of her pop and country hits for Dot (and was watching the Ventures and Fleetwoods take off on her Dolton label) when she made this unissued 1959 recording. Unusually... more

The lovely voice of this country-pop star lit up the pop charts in the late '50s (especially her smash Dark Moon) and the country charts all the way through the '80s. What we have here are her 1959... more

The '50s pop star and Cuban mambo king met in '59 and recorded a splendid set split between Latin standards and all-American songs. They cut a few more at the same studio in 1960, and three of those... more

Recorded before her Viva Las Vegas fame, this early-'60s LP finds the young starlet trading musical phrases and flirtatious come-hithers with the New Orleans trumpet star. This might seem like an... more

When Eartha starred with Nat King Cole in the 1958 W.C. Handy biopic St. Louis Blues, RCA decided to have her record an album of Handy blues songs and spirituals. Shorty Rogers & His Giants are the... more

Nearly an hour and a half of the Capitol cuts that best captured the frenzied energy of Prima on stage—and the rambunctious spirit of '50s rock 'n' roll, which Prima endorsed wholeheartedly. A... more

Two all-time popular standards!

The first "best-of" spanning Crystal's entire career (with Columbia, Elektra and Warner Bros.) and the only one featuring all her #1 songs! Includes Don't It Make My Brown Eyes Blue; You and I (with... more