Unlike their previous album Infinity Caller (which Speedy Ortiz's Sadie Dupuis called "... an exercise in explosion and restraint hallmarked by sweeping guitars, stuttery drums, and cryptic, airy vocals... ") Comb... brings the band's rhythm section to the fore, and Johnson's trademark guitar styling’s often take a backseat to his psychedelic sample-collages and ambient electronics. Fortunately the new approach works, balancing pop structures with masterful experimental production that shifts in tone and color in harmony with Johnson's tales of acceptance, loneliness, and impotent violence.