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Dim Stars, Bright Sky, Doe's fourth solo album, is being billed as his first acoustic solo LP, but that bends the boundaries of truth in advertising just a bit; while several of the songs are built around low-key non-amplified arrangements, most notably 'Seven Holes', 'Faraway (From the North Country)', and 'Always', most of the album's tunes feature electronic keyboards, drum loops, electric guitars, or some combination thereof. Not that that's bad; the blend of the acoustic rhythm guitar and fuzzy leads on 'This Far' (not to mention the old-school electric piano sound) makes the most of a solid song, and the splashing drums and Rickenbacker leads on 'Backroom' give the tune a Byrds-ian undertow that's superb. However, if you were hoping for 'John Doe Unplugged', that's not quite what you get. Also, while the cover promises duets with a number of notables, including Aimee Mann, Jakob Dylan, Jane Wiedlin, and Rhett Miller, most of Doe's co-vocalists are little more than glorified backup singers, lending fine harmonies but little personality of their own (faring best are Mann, whose sweet-and-sour harmony on 'This Far' suggests a smoother version of Doe's vocal byplay with Exene Cervenka, and Juliana Hatfield, who proves to be a superb accompanist on her two tracks). Dim Stars, Bright Sky isn't the 'just John with his guitar' album one might be expecting (and hoping for), but with John Doe writing great songs and singing them very well with a top-notch band, only a fool would complain. It's a great album from a great artist, but hopefully he'll take another stab at a real acoustic album one of these days.