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It's hard to overstate the importance of Philip Corner. For more than half a century he has been a cornerstone of the American musical avant-garde. Once a student of Otto Leuning, Henry Cowell, Olivier Messiaen, and Dorothy Taubman. A founding member of Fluxus, Corner made waves fast, creating a body of singular work, both on his own and within ensembles like Gamelan Son of Lion and Tone Roads, founded with Malcolm Goldstein and James Tenney, which has cut it's way across the decades. Among Corner's most fascinating works are those created between 1962 and 1964, during the period when he was resident composer at the Judson Dance Theatre, one the great occurrences in the emergence of avant-garde dance, movement, Happenings, and performance art. Even today, it stands among the most important examples of collaborate create exchange in the history the American arts. Alga Marghen present a three-CD box, issued in early 2000s by and now out of print, gathering much of the work created during these important years in Corner's career, signed by the composer himself. Alga Marghen's triple box gathers On Tape From the Judson Years, and More from The Judson Years (Early 60s) Instrumental and Vocal Works Volumes 1 and 2, bringing you to heart of Philip Corner's brilliant practice and mind. Across the first disc Corner's tape works - complex textures and sonority coming to life. The second disc is of an entirely different sort, featuring works created with a great many of Corner's closest collaborators and friends. Recorded at Judson, 1965, the disc features a knock-out cast of Ayo, David Behrman, Philip Corner, Malcolm Goldstein, Dick Higgins, Joe Jones, Alison Knowles, Jackson Mac Low, Charlotte Moorman, Nam June Paik, and Chieko Shiomi, and more. The third disc takes the ear further afield, with "Everything Max Has" (1964), a performance of Max Neuhaus solo recorded at the ONCE Festival (1965), captures the composer and percussionist taking down an overwhelming amount of equipment. It also includes Big Trombone (1963), with Jim Fulkerson improvising over tape collage, "Homage to Revere" (1962) a work for an ensemble of copper-bottom kitchen utensils, and "Punkt" (1961) for an ensemble of staccato sounds, and a number of other astounding works from the era. As a totality, Alga Marghen's three-CD set of Corner's years spent at the Judson Theatre, are a mind-boggling entry into an overwhelmingly exciting moment in time.