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Crain's songs are full of expansive melodies that veer off in unpredictable directions, with lyrics that explore conflicting emotions with uncommon insight and compassion. She has a Jazz singer's phrasing, often breaking words into rhythmic fragments that land before and after the beat, stretching syllables or adding grace notes to uncover hidden nuances in her lyrics. Under Branch & Thorn & Tree was recorded at Tiny Telephone Studios in San Francisco, with John Vanderslice (The Mountain Goats, Spoon), who also helmed last year's Kid Face. 'We recorded straight to two-inch tape on a Studer 24-track machine and mixed down to ½-inch tape on an Ampex machine. The pre-amps were tube and we never used a computer. Our effects were done manually through tape looping and manipulation. Most of the arrangements happened in the moment, as we recorded. My guitar and vocals are all first or second takes.'